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	<title>Haymaker</title>
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	<link>http://gohaymaker.com</link>
	<description>Excelsior!</description>
	<lastBuildDate>Mon, 14 May 2012 00:13:36 +0000</lastBuildDate>
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		<title>What&#8217;s that Cost?: The Federal Budget and You!</title>
		<link>http://gohaymaker.com/federal-budget/</link>
		<comments>http://gohaymaker.com/federal-budget/#comments</comments>
		<pubDate>Mon, 14 May 2012 00:12:04 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Current Productions]]></category>
		<category><![CDATA[Events & Productions]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=470</guid>
		<description><![CDATA[The United States Federal Budget takes your money, divides it up unfairly, and then spends that hard-earned cash on frivolous things like missiles and food stamps. The United States Federal Budget connects you to me, responds to the needs of 313 million Americans, and remembers your grandparents' greatest fears. The 2011 United States Federal Budget reported taking in $2.3 trillion, spending $3.6 trillion, and running a deficit of $1.3 trillion. Haymaker investigates.
<strong>When:</strong> June 29 - July 1, 2012
<strong>Where:</strong> <a href="http://burningcoal.org/" target="_blank">Burning Coal</a>, Raleigh, NC]]></description>
			<content:encoded><![CDATA[<p><strong>When:</strong> June 29 &#8211; July 1, 2012</p>
<p><strong>Where:</strong> <a href="http://burningcoal.org/" target="_blank">Burning Coal</a>, Raleigh, NC</p>
<p>The United States Federal Budget takes your money, divides it up unfairly, and then spends that hard-earned cash on frivolous things like missiles and food stamps. The United States Federal Budget connects you to me, responds to the needs of 313 million Americans, and remembers your grandparents&#8217; greatest fears. The 2011 United States Federal Budget reported taking in $2.3 trillion, spending $3.6 trillion, and running a deficit of $1.3 trillion. Haymaker investigates.</p>
]]></content:encoded>
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		<item>
		<title>Elektra</title>
		<link>http://gohaymaker.com/elektra/</link>
		<comments>http://gohaymaker.com/elektra/#comments</comments>
		<pubDate>Mon, 14 May 2012 00:03:14 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Current Productions]]></category>
		<category><![CDATA[Events & Productions]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=465</guid>
		<description><![CDATA[Is this a tupperware party? Is that girl singing opera in the kitchen? There’s blood everywhere…<br />Haymaker and violinist/composer Jenavieve Varga of Chapel Hill band Lost in the Trees team up to build a new adaptation of <em>Elektra</em>. An American family. Bad dreams. Retribution. And matricide.

]]></description>
			<content:encoded><![CDATA[<p>Is this a tupperware party? Is that girl singing opera in the kitchen? There’s blood everywhere…</p>
<p>Haymaker and violinist/composer Jenavieve Varga of Chapel Hill band Lost in the Trees team up to build a new adaptation of <em>Elektra</em>. An American family. Bad dreams. Retribution. And matricide.</p>
<p>Haymaker&#8217;s<em> Elektra</em> will be workshopped at White Pines Productions in July 2012. Learn more when we do.</p>
]]></content:encoded>
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		<item>
		<title>An octopus walks into a bar and says…</title>
		<link>http://gohaymaker.com/an-octopus-walks-into-a-bar-and-says%e2%80%a6/</link>
		<comments>http://gohaymaker.com/an-octopus-walks-into-a-bar-and-says%e2%80%a6/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 17:29:27 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=419</guid>
		<description><![CDATA[Our next show is about the Federal Budget. Here’s the skinny… The year we spent creating Living with the Tiger allowed us to wander freely through our artistic and creative imagination. We had no logistical restrictions, except for the performance date and location. The only artistic restriction we had was that the three of us [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2012/02/octopusdrawing.jpg"><img class="aligncenter size-full wp-image-436" title="octopusdrawing" src="http://gohaymaker.com/wordpress/wp-content/uploads/2012/02/octopusdrawing.jpg" alt="" width="425" height="300" /></a></p>
<p>Our next show is about the Federal Budget.</p>
<p>Here’s the skinny…</p>
<p>The year we spent creating <em>Living with the Tiger</em> allowed us to wander freely through our artistic and creative imagination. We had no logistical restrictions, except for the performance date and location. The only artistic restriction we had was that the three of us alone would perform it. This meant we could explore every avenue and sink into the artistic process without self-imposed limitations. We allowed ourselves the complete freedom to take <em>Tiger</em> in any direction it wanted to go. We learned a lot about how we worked and what we wanted to say with our work in the process.</p>
<p>This time around, constrained a bit more by time, we’ve decided to play around with that freedom. We’ve given ourselves a set of limitations in creating this new piece– some for practical reasons, but also in an attempt to challenge ourselves again to think about how we make things and how we want to make things. Here’s what we’ve set before us for the first draft:</p>
<p>- Create a piece about the United States Federal Budget</p>
<p>- Explore “presentation” as performance</p>
<p>- A time limit of 20min</p>
<p>- One performer</p>
<p>- An octopus has to show up</p>
<p>And of course, it wouldn’t be a Haymaker show without source materials:</p>
<p><a href="http://www.deathandtaxesposter.com/">http://www.deathandtaxesposter.com/</a></p>
<p><a href="http://www.ted.com/talks/john_bohannon_dance_vs_powerpoint_a_modest_proposal.html">http://www.ted.com/talks/john_bohannon_dance_vs_powerpoint_a_modest_proposal.html</a></p>
<p><a href="http://www.goodreads.com/quotes/show/10478">http://www.goodreads.com/quotes/show/10478</a></p>
<p>We don’t know what all that means either yet – but we’re really excited for the possibilities!</p>
<p>&nbsp;</p>
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		<title>A Very Merry Durham</title>
		<link>http://gohaymaker.com/a-very-merry-durham-2/</link>
		<comments>http://gohaymaker.com/a-very-merry-durham-2/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:29:40 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Events & Productions]]></category>
		<category><![CDATA[Past Productions]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=366</guid>
		<description><![CDATA[Fullsteam and Haymaker teamed up to bring Durham the first annual A Very Merry Durham holiday hootenanny. In the grand tradition of outrageous holiday parties the world over, A Very Merry Durham reveled in the exuberant and absurd. A little comedy, a little contortionism, and a whole lot of fun, the show was emceed by Fullsteam’s “Chief Executive Optimist” Sean Lilly Wilson and featured acts selected through an open audition process.

And to top it all off, we made it snow INSIDE. Beat that, Santa.

When: December 16, 2011
Where: Fullsteam R&#038;D Tavern, Durham, NC]]></description>
			<content:encoded><![CDATA[<p><strong>When:</strong> December 16, 2011<br />
<strong>Where:</strong> Fullsteam R&amp;D Tavern, Durham, NC<img title="More..." src="http://gohaymaker.com/wordpress/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" /></p>
<p style="text-align: center;"><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2012/01/6538079471_cc239981f3_b.jpg"><img class="aligncenter size-full wp-image-376" title="AVMD snow" src="http://gohaymaker.com/wordpress/wp-content/uploads/2012/01/6538079471_cc239981f3_b.jpg" alt="Snow at A Very Merry Durham" width="634" height="422" /></a></p>
<h3></h3>
<h3>About</h3>
<p><code><span class="collapseomatic  colomat-close" id="id9794" rel="about" title="Close">Close</span><span id="swap-id9794" style="display:none;">See More</span><div id="target-id9794" class="collapseomatic_content "></code></p>
<p><strong>Produced by</strong> Akiva Fox, Emily Hill, Tim Scales, Dan VanHoozer, and Sean Lilly Wilson<br />
<strong>Variety Hour written and directed by</strong> Akiva Fox<br />
<strong>Production Stage Managed by</strong> Shaun Jamieson<br />
<strong>Lighting Design and Décor by</strong> Megan Thrift<br />
<strong>Bad-ass Construction by</strong> Jeremy Parker<br />
<strong>Featuring </strong>Jessica Barnes Bellemer, The Bulltown Strutters, Michael Casey Magician, Owen FitzGerald, Emily Hill, Alice James, Madeline James, Allie Mullin, Adam Peele, Tarish Pipkins, Billy Sugarfix, Chris Vitiello, and Sean Lilly Wilson<br />
<strong>Special Thanks to </strong>Julia Fiore, Emily Francis, Lisa Miller, Allie Mullin, and The Scrap Exchange</p>
<p>&nbsp;</p>
<p>Fullsteam and Haymaker teamed up to bring Durham the first annual <em>A Very Merry Durham</em> holiday hootenanny. In the grand tradition of outrageous holiday parties the world over, <em>A Very Merry Durham</em> reveled in the exuberant and absurd. An hour of crafting activities provided by the Scrap Exchange, live art on the brewery wall by Adam Peele, performances by various local artists and musicians, and photo ops with the Holiday Gorilla were capped off with a Variety Hour featuring Bull City talent. A little comedy, a little contortionism, and a whole lot of fun, the show was emceed by Fullsteam’s “Chief Executive Optimist” Sean Lilly Wilson and featured acts selected through an open audition process.</p>
<p>And to top it all off, we made it snow INSIDE. Beat that, Santa.</p>
<p>&nbsp;</p>
<p><code></div></code></p>
<h3>Texts</h3>
<p><code><span class="collapseomatic " id="id3972" rel="texts" title="See More">See More</span><span id="swap-id3972" style="display:none;">Close</span><div id="target-id3972" class="collapseomatic_content "></code></p>
<p><strong>Making Beer (sung to the tune of Jingle Bells) </strong></p>
<p>Making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!<br />
Oh, making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!</p>
<p>First you take a starch, commonly malted barley,<br />
then you grind the starch and mix it with hot water.<br />
Starch turns into sugar, in a liquid known as wort,<br />
And then we drain and wash the mash, in a process that’s called sparging!</p>
<p>Making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!<br />
Oh, making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!</p>
<p>The wort goes in a tank to boil off excess water,<br />
which concentrates the sugars and other fermentable components.<br />
Now we add to the hops for complexity of flavor,<br />
and cool the mixture down in preparation to ferment.</p>
<p>Making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!<br />
Oh, making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!</p>
<p>Once the liquid cools, we add the brewer’s yeast,<br />
which converts the sugars into alcohol and CO2.<br />
After several weeks of careful oversight,<br />
the finished beer is transferred into kegs and to your glass!</p>
<p>Making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!<br />
Oh, making beer, making beer, here’s how we make beer! Christmas is the perfect time to learn how we make beer!</p>
<p><code></div></code></p>
<h3>Multimedia</h3>
<p><code><span class="collapseomatic " id="id5809" rel="media" title="See More">See More</span><span id="swap-id5809" style="display:none;">Close</span><div id="target-id5809" class="collapseomatic_content "></code></p>
<p><a href="http://www.flickr.com/photos/popthecap/sets/72157628484284833/with/6538081889/" target="_blank">Check out pictures from the event!</a></p>
<p style="text-align: justify;">Poster Design by <a href="http://kitchenislandshowprint.com/posters/" target="_blank">Kitchen Island</a>.</p>
<p style="text-align: justify;"><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/12/verymerrydurham_poster.jpg"><img class="size-large wp-image-349" title="verymerrydurham_poster" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/12/verymerrydurham_poster-662x1024.jpg" alt="A Very Merry Durham" width="662" height="1024" /></a></p>
<p></div></p>
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		<title>What’s next?! Why, the Holidays of course!</title>
		<link>http://gohaymaker.com/what%e2%80%99s-next-why-the-holidays-of-course/</link>
		<comments>http://gohaymaker.com/what%e2%80%99s-next-why-the-holidays-of-course/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:35:09 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=348</guid>
		<description><![CDATA[What’s our next production? It’s the question we’re most commonly asked. (And thank you for that). We decided after a few weeks of absolutely no tiger talk to spend a whole weekend discussing what exactly is next.  So much to consider…what do we want to say to the world? What’s going on personally that would [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/12/verymerrydurham_poster.jpg"><img class="aligncenter size-large wp-image-349" title="verymerrydurham_poster" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/12/verymerrydurham_poster-662x1024.jpg" alt="" width="530" height="819" /></a></p>
<h1><strong>What’s our next production?</strong></h1>
<p>It’s the question we’re most commonly asked. (And thank you for that).</p>
<p>We decided after a few weeks of absolutely no tiger talk to spend a whole weekend discussing what exactly is next.  So much to consider…what do we want to say to the world? What’s going on personally that would relate to y’all? Do we set a time or do we let the muse and only the muse guide us?</p>
<p>Then we got a call from our friends at <a href="http://www.fullsteam.ag" target="_blank">Fullsteam</a>: “Want to help us throw a strange and beautiful Christmas Party? With a Variety Hour? And live art? And a holiday gorilla?”</p>
<p>Hot Damn! DO WE EVER!!! Strange and beautiful are our team colors.</p>
<p>Don’t you love it when the Universe provides? Quick and dirty. Turn on the broiler: we’re cooking up this party in under a month. We’re so excited to collaborate with the artists at Fullsteam to produce <strong> <a href="http://www.facebook.com/events/303330313040019/?notif_t=event_invite">A VERY MERRY DURHAM</a>. </strong>You should join us, literally:</p>
<h1><strong>Friday, December 16<sup>th</sup> at 6:14pm</strong></h1>
<h1><strong>Fullsteam Brewery, 726 Rigsbee Avenue, Durham</strong></h1>
<p style="text-align: justify; padding-left: 30px;"><strong>6:14pm – 7:30pm: Holiday Shenanigans (holiday crafts, live art, puppetry, appearances by Poetry Fox, and much more)</strong></p>
<p style="text-align: justify; padding-left: 30px;"><strong>7:30pm: A Very Merry Durham Variety Hour</strong></p>
<p> Admission is FREE with the donation of a new, unwrapped toy (but don&#8217;t be a Scrooge &#8212; $10 value recommended).</p>
<p>&nbsp;</p>
<h1>Show us your SKILLZ!</h1>
<p><a href="http://www.fullsteam.ag/blog/2011/11/talent-search-for-our-upcoming-holiday-show/" target="_blank">Join the fun by strutting your stuff on stage!</a></p>
<p>We&#8217;re looking for home-grown talent to take the stage. All kinds of performers: musicians, actors, dancers, singers, jugglers, steppers, puppeteers, you name it&#8230;all are invited to pitch an act as part of the show. Want to play &#8220;Silver Bells&#8221; on wine glasses? Reenact a scene from &#8220;A Christmas Story&#8221;? Juggle ornaments? No matter how unusual your talent or your idea, we want to hear it.</p>
<p>Sign up <a href="http://www.fullsteam.ag/blog/2011/11/talent-search-for-our-upcoming-holiday-show/" target="_blank">HERE</a> to join the fun!</p>
]]></content:encoded>
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		<title>Humblebrag</title>
		<link>http://gohaymaker.com/humblebrag/</link>
		<comments>http://gohaymaker.com/humblebrag/#comments</comments>
		<pubDate>Sat, 29 Oct 2011 17:32:31 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=331</guid>
		<description><![CDATA[Damn, people love us!? If we didn’t know it before, we definitely discovered it during our opening weekend. From as far away as Nashville, New York City, and Dover, DE, and especially including the band of people who drove the four-hour drive from Washington, DC, a host of friends and family came to Durham to [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/10/Donor-Thanks-Poster3.gif"><img class="aligncenter size-large wp-image-337" title="Donor-Thanks-Poster" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/10/Donor-Thanks-Poster3-691x1024.gif" alt="" width="560" height="830" /></a></p>
<p>Damn, people love us!?</p>
<p>If we didn’t know it before, we definitely discovered it during our opening weekend.</p>
<p>From as far away as Nashville, New York City, and Dover, DE, and especially including the band of people who drove the four-hour drive from Washington, DC, a host of friends and family came to Durham to see our first show, <em>Living with the Tiger</em>. That includes our awesome new friends in the Triangle who supported us; man, do we feel the love. To those of you who couldn’t make it and probably won’t in the next two weeks, you’ll definitely be missed.</p>
<p>To be honest, we feel a bit like kids who got too many presents on their birthdays. With so much, how can we ever say thank you enough?</p>
<p>Like the poster says,” No bullshit. Without you, none of this would have been possible.”</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<title>Living with the Whale</title>
		<link>http://gohaymaker.com/living-with-the-whale/</link>
		<comments>http://gohaymaker.com/living-with-the-whale/#comments</comments>
		<pubDate>Sun, 02 Oct 2011 22:45:29 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=311</guid>
		<description><![CDATA[&#160; Sure, it&#8217;s the great American novel. But try to forget that for a second. Herman Melville&#8217;s Moby-Dick is also the craziest American novel. We read a bunch of it out loud this summer (tigers, whales, what&#8217;s the difference?), and it&#8217;s full of everything! It&#8217;s like America in a blender &#8211; a million different subjects, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/10/South-Sea-Whale-Fishery-18341.jpg"><img class="aligncenter size-full wp-image-316" title="South Sea Whale Fishery 1834" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/10/South-Sea-Whale-Fishery-18341.jpg" alt="" width="570" height="409" /></a></p>
<p>&nbsp;</p>
<p>Sure, it&#8217;s the great American novel. But try to forget that for a second.</p>
<p><span id="more-311"></span>Herman Melville&#8217;s <em>Moby-Dick </em>is also the craziest American novel. We read a bunch of it out loud this summer (tigers, whales, what&#8217;s the difference?), and it&#8217;s full of everything! It&#8217;s like America in a blender &#8211; a million different subjects, styles, voices and stories, all packed into a few hundred pages. We want our play to have that same kaleidoscopic feeling to it, and that white whale is a lot to live up to.</p>
<p>Actually, we want the play to feel like this sentence from <em>Moby-Dick:</em></p>
<p>&#8220;These are the times of dreamy quietude, when beholding the tranquil beauty and brilliancy of the ocean&#8217;s skin, one forgets the tiger heart that pants beneath it; and would not willingly remember that this velvet paw but conceals a remorseless fang.&#8221;</p>
<p>Good, right? But don&#8217;t believe us: click on the link below to hear special Haymaker guest <a href="http://amerstud.unc.edu/people/marr.html">Tim Marr</a> (of UNC fame) talk all about what a whale has to do with tigers and America.</p>
<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/mobyinterview.mp3">Thar she blows!</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>America!</title>
		<link>http://gohaymaker.com/america/</link>
		<comments>http://gohaymaker.com/america/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 00:18:16 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=282</guid>
		<description><![CDATA[&#160; Freedom, Love, Hate, Sacrifice, Messiness, Desperation, Brutality, Community, Get rich quick!, Violence. A thousand words, songs, poems, movies, books, etc. describe our Grand Experiment. Everyone’s America! is their own ideal. Like our country, that fact is both perfect and broken. Our play is very much about the three of us trying to find out [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tXsunset.jpg"><img class="size-full wp-image-296 aligncenter" title="tXsunset" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tXsunset.jpg" alt="" width="510" height="333" /></a><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/MiamiDowntown2007.jpg"><img class="size-full wp-image-290 aligncenter" title="MiamiDowntown2007" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/MiamiDowntown2007.jpg" alt="" width="510" height="372" /></a></p>
<p>&nbsp;</p>
<p>Freedom, Love, Hate, Sacrifice, Messiness, Desperation, Brutality, Community, Get rich quick!, Violence. A thousand words, songs, poems, movies, books, etc. describe our Grand Experiment. Everyone’s America! is their own ideal. Like our country, that fact is both perfect and broken.</p>
<p><span id="more-282"></span></p>
<p>Our play is very much about the three of us trying to find out how we fit here while simultaneously attempting to come to a common ground on what we’ve seen and continue to experience. We’ve had to ask ourselves more than once what exactly America! is to us. We keep coming back to two words, pursuit and possibility, and the idea that what has always felt most like America! to each of us is “the road.”</p>
<p>Coming to these realizations, we recently asked our friend HannaH to help us finish <em><a href="http://gohaymaker.com/living-with-the-tiger/">Living with the Tiger</a></em>. Specifically, we’ve asked her to help make a road trip possible in the theater, and to and lend her thoughts on America! She’s been traveling all across this land of ours for the past three months. So we thought it might be nice to have a guest to describe the America! she’s seen and experienced with a mix tape for you to listen to:</p>
<p>“The road is sound. Constant sound set by speed. Speed creates rhythm which is followed by a collage of melodies arranged by the passing cars, the sights that slowly come into full scale view and pass in a blur of shape and color, the light that falls through the trees dancing on the windshield, the characters that populate the sidewalks, and of course, the yellow line. And in that moment when all of this syncs up&#8230; music in motion. RoadMotion. Hear it?”</p>
<p><a href="http://www.youtube.com/playlist?list=PL0EBC4D9E8B6BFC6D">Songs for RoadMotion America</a></p>
<p>For more on HannaH’s adventures, visit <a href="http://hjcroadtrip2011.tumblr.com/">her Tumblr page</a>.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Road Trip</title>
		<link>http://gohaymaker.com/road-trip/</link>
		<comments>http://gohaymaker.com/road-trip/#comments</comments>
		<pubDate>Fri, 09 Sep 2011 17:37:13 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=263</guid>
		<description><![CDATA[One morning you wake up and decide to see America. It’s your right to see what’s going on with your neighbor in South Dakota, Oregon or Vermont. “Maybe I’ll visit the beach, visit the mountains, visit family, visit someone in some place I don’t know at all…and they’ll be glad to talk with me because [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/Nebraska-1.jpg"><img class="aligncenter size-medium wp-image-265" title="Nebraska 1" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/Nebraska-1-300x225.jpg" alt="" width="300" height="225" /></a></p>
<p>One morning you wake up and decide to see America.</p>
<p><span id="more-263"></span></p>
<p>It’s your right to see what’s going on with your neighbor in South Dakota, Oregon or Vermont.</p>
<p>“Maybe I’ll visit the beach, visit the mountains, visit family, visit someone in some place I don’t know at all…and they’ll be glad to talk with me because I’m an American too. And maybe I’ll have the best Mexican food of my life in Iowa,” you say aloud in bed as the sun creeps through your blinds. See the USA. A glorious destination is reachable…Slowly.</p>
<p>One of our Dads retired this year. And his retirement dream was to bike US Route 30 (the old <a href="http://en.wikipedia.org/wiki/Lincoln_Highway">Lincoln Highway</a>) the entirety of its current route &#8212; Atlantic City, New Jersey to Astoria, Oregon. 3,200 miles. 49 days. About 70 miles per day. It took 6 ½ days to cross Nebraska &#8212; a trip most would try to do in their car in one day.</p>
<p>A funny thing happens when you travel like this. Face to face with America’s expansiveness, hour after hour, boring transforms into detailed beauty. Seeing the same 360-degree view for hours on end causes a heightening of the senses and explosion of the imagination. You spend miles marveling over sensory experiences that you would never have noticed had you been screaming down the road at 65 mph, blasting your tunes, and trying to get somewhere.</p>
<p>You become intimately familiar with the road. You feel every crack in the crumbling infrastructure of our nation: your ass is literally numb with them. You marvel at the thickness of road paint. Road kills become fascinating and gruesome attractions. Deer, raccoons, robins, opossums, squirrels, turtles, snakes, ducks, cats: you try to identify the casualties. You marvel at fresh guts, mangled legs, bits of fur, and blood scattered for hundreds of feet down the road. You’re stumped by the petrified road kill, weeks old and completely unrecognizable. Beautiful carnage.</p>
<p>Face to face with nature, the weather conditions affect your travel and mood. A headwind causes intense frustration and a desire to get off this goddamn bike! A single cloud offers relief from the punishing sun. An imposing rainstorm causes a re-evaluation of the day’s goals. Blue skies, cool mornings, and a slight tail wind start perfect 70-mile days.</p>
<p>The horizon offers deceptive goals. Grain silos and water towers are the first signs of approaching towns, indicating upcoming pit stops still almost an hour away. The flatness of the land means that each hill seduces you with the hope of panoramic views that never materialize, just stretches of prairie bracketed by small ridges running parallel to the river valley you ride. Reaching the crest of a hill reveals only the next incline as you slowly crawl toward the continental divide.</p>
<p>Animals along the road become your companions. Red-winged black birds squawk and chase you away from their nests in the ditches. Pheasants explode from bushes and screech across fields. Cows and horses stalk your movements as you pass. They look up from eating and watch you intensely. They give no notice to the cars and trucks that fly by, but you get their undivided attention. “Who is this crazy creature on two wheels?” they seem to be asking each other. You talk to them because you&#8217;ve been silently riding for four hours and mooing feels good.</p>
<p>You notice every car and truck that passes you. The courteous ones that give you a wide space as they pass. The ones that elevate your heart rate as they come intimidatingly close. The huge trucks, which at first you find scary, but later appreciate for their headwind-blocking power and the exhilarating boost of speed you get from their manufactured wind tunnel when they pass you. You notice the trains. Full coal trains creeping back from Wyoming. Empty coal trains heading out to be refilled. You’re delighted when a conductor blows the horn in response to your mad waving.</p>
<p>And out there on the prairie left alone with your thoughts, you can’t help but think of our ancestors who made their way across the country just like this. Route 30 in Nebraska follows much of the original Oregon Trail. You can see the effect of this mass migration – from the towns spaced 7-13 miles apart to the actual wagon ruts of the settlers carved into the hills. You realize that even though you thought it was brave to take on this journey with little preparation and no plan, you’re nothing compared with them. They crossed this state when the grasses were four feet high, when there was no paved road with a wide breakdown lane to ride in, when there was no AmericInn with hot tub to stay at, and with everything strapped to their backs or to an ox-drawn wagon. They went on foot with their entire families for months on end, because they were told that something might be out there that’s better than here. They paved the way through this great beauty and vastness, and made it possible for us to go coast to coast in our cars, by train, by plane, or even by bicycle.</p>
<p>Slowly, quickly, see the USA.</p>
<p>&nbsp;</p>
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		<title>Field Trip!</title>
		<link>http://gohaymaker.com/field-trip/</link>
		<comments>http://gohaymaker.com/field-trip/#comments</comments>
		<pubDate>Fri, 02 Sep 2011 00:44:29 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=218</guid>
		<description><![CDATA[Why didn&#8217;t our third grade field trips look like this? This injustice needed redressing. So we got some friends together, made sure all the permission slips were signed, handed out snacks and juice boxes, and drove out to the Carolina Tiger Rescue in Pittsboro. This place exists because people decide to keep big cats as [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-181.jpg"><img class="aligncenter size-full wp-image-236" title="tigertrip-18" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-181.jpg" alt="" width="624" height="416" /></a></p>
<p>Why didn&#8217;t our third grade field trips look like this?</p>
<p><span id="more-218"></span></p>
<p>This injustice needed redressing. So we got some friends together, made sure all the permission slips were signed, handed out snacks and juice boxes, and drove out to the<a href="http://www.carolinatigerrescue.org/"> Carolina Tiger Rescue</a> in Pittsboro.</p>
<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-1.jpg"><img class="aligncenter size-medium wp-image-248" title="tigertrip-1" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-1-300x200.jpg" alt="" width="300" height="200" /></a></p>
<p>This place exists because people decide to keep big cats as pets, and then find out that&#8217;s a bad idea. When they do, those animals need a place to live.</p>
<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-63.jpg"><img class="aligncenter size-medium wp-image-254" title="tigertrip-6" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-63-200x300.jpg" alt="" width="200" height="300" /></a><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-22.jpg"><br />
</a>Wow. Being two feet away from a full-grown tiger is a hell of a thing. Just a little chain link fence keeping everybody where they belong.</p>
<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-192.jpg"><img class="size-medium wp-image-252 aligncenter" title="tigertrip-19" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-192-200x300.jpg" alt="" width="200" height="300" /></a></p>
<p>As luck would have it, we brought along a recording device to see what our field trippers thought.</p>
<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/fieldtrip.mp3">Click Here for Field Trip Audio</a></p>
<p>With a special cameo from Lincoln, who knows of what he speaks.</p>
<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-25.jpg"><img class="aligncenter size-medium wp-image-242" title="tigertrip-25" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/09/tigertrip-25-300x200.jpg" alt="" width="300" height="200" /></a></p>
<p>Allie Mullin is amazing. She took the great photos featured in this blog, and you&#8217;ll see more of our collaborations with her soon. To see a full portfolio of her work check out: http://www.alliemullin.com/. Need a great person to do amazing photos for you? <a href="http://www.alliemullin.com/about">Allie Mullin</a>&#8216;s your gal.</p>
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		<title>Love and Theft</title>
		<link>http://gohaymaker.com/love-and-theft/</link>
		<comments>http://gohaymaker.com/love-and-theft/#comments</comments>
		<pubDate>Fri, 26 Aug 2011 15:51:26 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=187</guid>
		<description><![CDATA[There’s a story about an artist who visited Romare Bearden’s studio. What she remembered most was his great enthusiasm about a single clipping he’d taken from a magazine. She described Bearden’s excitement as if he were a child at show-and-tell wanting her to see – just as he was seeing – the beauty and relevance [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/gursky99cent12.jpg"><br />
</a><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/99cent_pop.jpg"><img class="aligncenter size-full wp-image-196" title="99cent_pop" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/99cent_pop.jpg" alt="" width="650" height="351" /></a><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/gursky99cent12.jpg"><br />
</a>There’s a <a href="http://www.npr.org/templates/story/story.php?storyId=1428038">story </a>about an artist who visited Romare Bearden’s studio. What she remembered most was his great enthusiasm about a single clipping he’d taken from a magazine. She described Bearden’s excitement as if he were a child at show-and-tell wanting her to see – just as he was seeing – the beauty and relevance in the fragment. It had a history and meaning for him that would later show up in one of his pieces.</p>
<p><span id="more-187"></span></p>
<p>Like Bearden, we have a deep connection to the material that we find. They – our “scraps” – propel our process by giving us a foundation for a hypothesis on behavior, illuminating why we think a character has to move in a certain way, and even provoking the question, “Where the hell do we go from here?”</p>
<p>Our scraps can come from anywhere and go anywhere… a radio show lends us a structure for narration; a package from a parent sparks a strange dance about consumption; a TV show sets our head spinning about the larger whole – content, language, visuals, characters. And on top of this overwhelming volume of materials, our lives are constantly bleeding into our work (as they should be).</p>
<p>So we’d like to do a bit of show and tell. You can find some of these materials and texts on our <em>Living with the Tiger</em> <a href="http://gohaymaker.com/living-with-the-tiger/">page</a>. Here’s a few scraps we found, how we stumbled upon them, and where they took us:</p>
<p><strong><a href="http://www.radiolab.org/">Radiolab</a>:</strong> Jad Abumrad cuts his shows in an overlapping, circuitous, goofy style that seems to fit our desire to say everything at once. And these episodes got our brains focused on organisms, growth, and when the larger system starts to mirror the smaller parts that make it up: <a href="http://www.radiolab.org/2007/aug/14/">Emergence </a>and <a href="http://www.radiolab.org/2010/oct/08/">Cities</a>.</p>
<p><strong><a href="http://www.princeton.edu/~batke/moby/">Moby-Dick</a>:</strong> We read most of this out loud. No lie. It’s one of Akiva’s favorites, and the more we talked about what we wanted Living with the Tiger to feel like and say, the more he kept saying, “Melville already said all this.” To top it off, it’s amazingly strange. Melville is constantly abandoning the whale-chasing part to digress on a series of related topics. He writes a play, documents the citations of whales in literature, tells you everything you need to know about the color white, and, yes, includes a short chapter about a whale penis. Check out &#8220;<a href="http://gohaymaker.com/living-with-the-tiger/">texts</a>&#8221; for a short selection.</p>
<p><strong>I AM THE BEST! What’s next?:</strong> At some point, we started to think that our story was less about tigers than it was about the people who decide to keep them in their houses and back yards. And that took us right into the lap of Alexis de Tocqueville, who was writing about how unusual our country was in its young days. He talks about how living in this huge democracy makes Americans progress addicts, never staying with one thing very long. We always need to have the next and the best. More on that &#8220;<a href="http://gohaymaker.com/living-with-the-tiger/">texts</a>&#8221; page.</p>
<p><strong>Road Trip:</strong>  The idea of compulsive progress kept coming up, and circled back to discussions about Manifest Destiny. And the idea of the road trip arrived one day and then just never left. It’s a third of our show now. We’ve mined many sources here: On the Road, The Night of the Hunter, Lolita, Rabbit Run, Heart of Darkness, and Stephen Shore’s <a href="http://peanutbutterthoughts.com/wp-content/uploads/2011/04/shoresbillboard.jpg">photography </a>(among many others).</p>
<p><strong>Animal Collective:</strong> Most recently, we needed to a way to show a woman’s euphoric relationship with her tiger. From its sound to its lyrics, Animal Collective’s “<a href="http://www.youtube.com/watch?v=YTCg1Ovu64E">Bluish</a>” nailed it in an almost eerie way.</p>
<p><strong>Baudrillard:</strong> As we talked more about what drives desire in America, consumerism became a hot topic in rehearsal. Baudrillard’s<em> <a href="http://www.amazon.com/System-Objects-Radical-Thinkers/dp/1844670538">The System of Objects</a></em> was helpful for its framing, and in talking about our reliance on Wal-mart.</p>
<p><strong>Space:</strong> When we’d finally gotten a rough draft of our script, we started thinking about where that story could take place. <a href="http://thesegunsdontquit.files.wordpress.com/2009/11/gursky99cent12.jpg">Gursky</a>, <a href="http://www.best-norman-rockwell-art.com/images/1920-07-31-Saturday-Evening-Post-Norman-Rockwell-cover-Trio-in-Early-Motor-Car-no-logo-400-Digimarc.jpg">Rockwell</a>, and <a href="http://dali.urvas.lt/forviewing/pic13.jpg">Dali </a>have been the most helpful of late.</p>
<p><strong>My name is Haymaker. I’m an institution addict:</strong> This journey started when we thought about why someone would want to own a tiger. We knew what it was like to feel exalted and then trapped, what it was like to love and to hurt the ones you loved, what it was like to be addicted to progress. Oh, DC. Thanks for letting us have a taste of large <a href="http://www.viceland.com/int/v16n12/htdocs/david-simon-280.php">institutions </a>at their largest.</p>
<p>&nbsp;</p>
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		<title>In Process</title>
		<link>http://gohaymaker.com/in-process/</link>
		<comments>http://gohaymaker.com/in-process/#comments</comments>
		<pubDate>Thu, 18 Aug 2011 23:11:08 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=174</guid>
		<description><![CDATA[The skinny is that we’re geeks who make plays. Well, “make” might not cover it; we kind of tear and rip and punch and paste and tape and glue and gum them together from bits of our lives, memories, dreams, that short story from back in junior high, a Stones’ song, or the way Kermit [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/photo-maybe-blog3.jpg"><img class="aligncenter size-full wp-image-173" title="photo-maybe -blog3" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/photo-maybe-blog3.jpg" alt="" width="600" height="600" /></a></p>
<p>The skinny is that we’re geeks who make plays. Well, “make” might not cover it; we kind of tear and rip and punch and paste and tape and glue and gum them together from bits of our lives, memories, dreams, that short story from back in junior high, a Stones’ song, or the way Kermit moved his arms. We even hijacked the idea you told us yesterday. <span id="more-174"></span></p>
<p>People are hot on the terms “repurposing,” “creative reuse,” and “upcycling” in Durham. They all mean to take something that had an original purpose and redefine it to use in a new way. Our style is similar. We collect fragments, and through our collaboration with each other and with whomever else is in the room, we attempt to organize all the pieces into something cohesive. It’s sort of like turning a bunch of empty candy wrappers into an insulated lunch box.</p>
<p>Two weeks ago we held a 40-plus hour intensive workshop at the<a href="http://www.durhamarts.org/"> Durham Arts Council</a> to hone our <em>Living with the Tiger</em> script. We were transforming eight months of research, scene writing, character building, plot creation, and visualization into a performance structure. We cut characters and created new ones. We merged scenes. We created whole dance numbers from someone’s humming of a <a href="http://www.youtube.com/watch?v=KGZvQoPxhNs">Chevy commercial</a>. We developed sections of the play based on a plastic bobblehead, and imagined the performance space as if it was the offspring of Salvador Dali and Norman Rockwell. We played and rewrote, experimented and built, struggled with our egos and our exhaustion, and in the end&#8230;we emerged with the skeleton of what most would call a script.</p>
<p>If you’re performance geeks like us, you might call this process “devising.” “To imagine, to compose, to suppose, to guess, to purpose, to mediate, to describe, to depict, to scheme, to contrive…” is the definition that we lifted from Complicite’s teachers guide to devising (see below for the link). We are drawn to this style because devising lends itself to the free use of different forms and techniques in the creation process– movement, visual art, and music. Basically, it makes it possible to use anything in the world to create a performance.</p>
<p>There are thousands of examples, many from groups who’ve been doing this for a lot longer than we have, but we used<a href="http://www.youtube.com/watch?v=wYnAQ-lK74A"> this one</a> in rehearsal this week. It is not what you might think of as theater, but rather an excellent example of disparate fragments forming a whole, compelling performance piece. Our theory and hope is that, like Mr. Reich’s piece, what will emerge in October from our collaged texts of literature, news articles, songs, interviews and personal stories will be something complex and detailed and meaningful to us and to you.</p>
<p>For much more on “devising” theatre see: <a href="http://www.rudemechs.com/">The Rude Mechs</a>, <a href="http://www.pigiron.org/">Pig Iron Theater Company</a>, <a href="http://www.complicite.org/">Complicite</a>, <a href="http://www.thecivilians.org/">The Civilians</a>, <a href="http://www.siti.org/">SITI Company</a>, <a href="http://www.thewoostergroup.org/">Wooster Group</a>,<a href="http://www.elevator.org/"> Elevator Repair Service</a>, <a href="http://thedebatesociety.org/">The Debate Society</a>, <a href="http://www.500clown.com/">500 Clown</a>, <a href="http://www.neofuturists.org/">Neo-Futurists</a>, <a href="http://theteamplays.org/">the TEAM</a> and on and on…(the list is endless, really)</p>
<p>Also, <a href="http://www.complicite.org/pdfs/Teachers_Notes_Devising_Pack.pdf">Complicite’s teachers guide</a>. A wonderful packet on devising.</p>
<p>Or, for more on creative reuse in Durham, stop by <a href="http://www.scrapexchange.org/">The Scrap Exchange</a>.</p>
<p>Finally, an excellent <a href="http://www.howlround.com/2011/08/14/what-i-mean-when-i-talk-about-collaboration-by-deborah-stein/">blog post</a> from Deborah Stein on the nature of Collaboration.</p>
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		<title>Why Tigers?</title>
		<link>http://gohaymaker.com/why-tigers/</link>
		<comments>http://gohaymaker.com/why-tigers/#comments</comments>
		<pubDate>Tue, 16 Aug 2011 23:27:29 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/?p=157</guid>
		<description><![CDATA[What’s with all the tigers? They’re all over our website, business cards, events…and America? One night last fall, we saw an episode of a show called Fatal Attractions on Animal Planet that caught our attention. In October 2003, police were called to a Harlem housing project to check on a tip that there might be [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/TigerPostcard1.jpg"><img class="aligncenter size-full wp-image-185" title="TigerPostcard" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/TigerPostcard1.jpg" alt="" width="655" height="467" /></a></p>
<p>What’s with all the tigers? They’re all over our website, business cards, events…and America?<span id="more-157"></span></p>
<p>One night last fall, we saw an episode of a show called<em> Fatal Attractions</em> on Animal Planet that caught our attention. In October 2003, police were called to a Harlem housing project to check on a tip that there might be a dangerous animal living in a fifth-floor apartment belonging to one Antoine Yates. They were shocked to discover that Yates owned a 400-pound tiger he named Ming. After a day-long standoff with the tiger, police were able to remove Ming from the apartment by rappelling down the exterior of the building and shooting him with a tranquilizer gun through the window. Even though Ming had mauled him, triggering the series of events that would lead to both of their incarcerations, Yates told reporters he wasn’t worried about his injuries; &#8220;it&#8217;s the pain in my heart that&#8217;s really bothering me.”</p>
<p>“Whoa.” “No way.” “That’s crazy.” Those were our first reactions. Followed immediately by “We need to make a show about that.” And thus began our tiger obsession.</p>
<p>Surprisingly, we learned that Antoine Yates’ case wasn’t unique. Tigers are kept in private hands in America at a rate unrivaled through the rest of the world. In fact, almost twice as many tigers live in captivity in the United States as live in the wild world-wide. Some live in zoos and preserves with trained professionals, but a significant number live with “private owners” like Yates, or like <a href="http://bigcatnews.blogspot.com/2009/01/apologetic-tiger-owner-touts-new-cage.html">this lady</a> or like<a href="http://articles.latimes.com/1997/sep/28/local/me-37032"> this guy</a> – who may or may not be our <a href="http://www.carolinatigerrescue.org/">neighbors</a>.</p>
<p>With so many tigers in private hands, the question that became the basis for our performance was not simply why a person would own a tiger, but rather what it is about Americans that makes this desire to own dangerous predators so common?</p>
<p>The pioneer spirit that built America makes us one of the most resilient and creative peoples in the world. We live in a remarkable place where we are allowed to define our own success. But where’s the line between dream and delusion? And when does a single person’s pursuit of happiness become a menace to society? Or is it all just part of being an American?</p>
<p><em>Living with the Tiger</em> runs from Oct. 20 – Nov. 5 at <a href="http://www.manbitesdogtheater.org/3/">Manbites Dog Theater</a>.</p>
<p>More info on <a href="http://animal.discovery.com/tv/fatal-attractions/">Fatal Attractions</a> and an additional interview with <a href="http://animal.discovery.com/tv/fatal-attractions/antoine-yates-interview.html">Antoine Yates</a>.</p>
<p>Postcard design by <a href="http://www.coroflot.com/lizalulu">Liza Donovan</a>.</p>
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		<title>So We Jumped&#8230;</title>
		<link>http://gohaymaker.com/so-we-jumpe/</link>
		<comments>http://gohaymaker.com/so-we-jumpe/#comments</comments>
		<pubDate>Mon, 08 Aug 2011 15:09:18 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Blog]]></category>

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		<description><![CDATA[We had followed the right path: the right families, the right educations, the right internships, the right career paths at the right institutions in the right cities. So why didn’t we feel right? Last summer, after a long day slogging through institutional politics, we were mid-drink and mid-complaint when a little shoulder-devil started poking at [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-124" title="durham-a-self-portrait-sign" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/durham-a-self-portrait-sign.jpg" alt="Durham! Renowned Around The World" width="655" height="420" /></p>
<p>We had followed the right path: the right families, the right educations, the right internships, the right career paths at the right institutions in the right cities. So why didn’t we feel right?<span id="more-123"></span></p>
<p>Last summer, after a long day slogging through institutional politics, we were mid-drink and mid-complaint when a little shoulder-devil started poking at us. “What are you afraid of?” it said. “Just jump off the cliff!”</p>
<p>We started to say those words out loud to each other. And the more we talked, the more exciting that cliff edge looked. So we started to look at where we might want to land.</p>
<p>We had worked at the top of the game, in big-name companies in big cities. But again and again, the work that meant the most to us had been built with a small group over months of steady work for a wide audience. We wanted to clear away the clutter, and spend our time working that way.</p>
<p>But where could we do that? Not in the city where we lived: it loved bigness too much, and the rent was too damn high. Most of the other usual suspects were stuffed too full; we’d get lost underfoot.</p>
<p>Then the shoulder-devil came back. He pointed south. “We’ll bite,” we said. “What’s a Research Triangle?” “Only the third-fastest-growing combined statistical area in these United States, morons!” he shot back. We started to read all about Durham, North Carolina: overflowing with under-40s and retirees, educated to the gills, with cutting-edge chefs and restaurants, the prettiest minor league baseball stadium around, a world-class performing arts center, a great music scene, and rent so cheap it made our toes curl.</p>
<p>So we jumped.</p>
<p>&nbsp;</p>
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		<title>Living with the Tiger</title>
		<link>http://gohaymaker.com/living-with-the-tiger/</link>
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		<pubDate>Tue, 02 Aug 2011 15:30:02 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Events & Productions]]></category>
		<category><![CDATA[Past Productions]]></category>

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		<description><![CDATA[Five thousand. That’s the estimated number of tigers living in private hands in the United States. Three thousand. That’s the estimated number of tigers living in the wild worldwide. What makes so many of us want to own dangerous predators, and what does it say about the American psyche that we lead the world in tiger ownership?

<strong>When:</strong> October 20 – November 5, 2011
<strong>Where:</strong> <a title="Man Bites Dog Theater" href="http://www.manbitesdogtheater.org/387/" target="_blank">Manbites Dog Theater</a>, Durham, NC
<strong>Tickets:</strong> $12 - 17. Visit <a href="http://www.manbitesdogtheater.org/387/">manbitesdogtheater.org</a> or call 919.682.3343.]]></description>
			<content:encoded><![CDATA[<p><strong>When:</strong> October 20 – November 5, 2011</p>
<p><strong>Where:</strong> <a title="Man Bites Dog Theater" href="http://www.manbitesdogtheater.org/" target="_blank">Manbites Dog Theater</a>, Durham, NC</p>
<p><span id="more-50"></span></p>
<h3><img class="alignnone size-full wp-image-116" title="kitty" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/kitty.jpg" alt="Good Kitty" width="655" height="406" /></h3>
<h3>About</h3>
<p><code><span class="collapseomatic  colomat-close" id="id341" rel="about" title="Close">Close</span><span id="swap-id341" style="display:none;">See More</span><div id="target-id341" class="collapseomatic_content "></code></p>
<p>Creators and Performers: Akiva Fox, Emily K. Hill, and Dan VanHoozer</p>
<p>Director: Colin Hovde</p>
<p>Stage Manager: Shaun M. Jamieson</p>
<p>Lighting Designer: Megan Thrift</p>
<p>Choreographer: Julianne Harper</p>
<p>Producer: Tim Scales</p>
<p>Producing Assistant: Tara Rison</p>
<p>Graphic &amp; Web Designer: Robb Stout</p>
<p>Poster Designer: Liza Donovan</p>
<p>Photographer: Allie Mullin Photography</p>
<p>With assistance from:</p>
<p>Wyckham Avery, Torry Bend, Colin Bills, Matthew Gardiner, Rachel Grossman, Erin Hanehan, Julianne Harper, Matt Harris, Colin Hovde, James Huckenpahler, Shaun M. Jamieson, Jessica Lefkow, Charles Phaneuf, Betsy Rosen, and Megan Thrift</p>
<p>&nbsp;</p>
<p>Five thousand. That’s the estimated number of tigers living in private hands in the United States. Three thousand. That’s the estimated number of tigers living in the wild worldwide. Limited local and national regulation and easy access to tiger breeders through the internet have brought the American obsession with big cats into your neighborhood. Think we’re kidding? Tigers have been found in Harlem housing projects, chained to telephone poles in downtown city parks, roaming rural highways, and wandering suburban neighborhoods. There are two tiger sanctuaries within 30 miles of The Triangle (that’s less than a day’s walk for a tiger, by the way).</p>
<p>What makes so many of us want to own dangerous predators, and what does it say about the American psyche that we lead the world in tiger ownership?</p>
<p><code></div></code></p>
<h3>Press</h3>
<p><code><span class="collapseomatic " id="id3649" rel="press" title="See More">See More</span><span id="swap-id3649" style="display:none;">Close</span><div id="target-id3649" class="collapseomatic_content "></code></p>
<p><a href="http://www.newsobserver.com/2011/10/23/1584902/they-have-the-world-by-the-tail.html">News &amp; Observer preview</a></p>
<p><a href="http://www.indyweek.com/indyweek/haymaker-premieres-living-with-the-tigerat-manbites-dog-theater/Content?oid=2684989">Independent Weekly preview</a></p>
<p><a href="http://www.indyweek.com/indyweek/living-with-the-tiger-haymakers-promising-first-results/Content?oid=2690076">Independent Weekly review</a></p>
<p></div></p>
<h3>Related Blog Entries</h3>
<p><code><span class="collapseomatic " id="id9363" rel="blogs" title="See More">See More</span><span id="swap-id9363" style="display:none;">Close</span><div id="target-id9363" class="collapseomatic_content "></code></p>
<p><a href="http://gohaymaker.com/why-tigers/">Why Tigers?</a></p>
<p><a href="http://gohaymaker.com/in-process/">In Process</a></p>
<p><a href="http://gohaymaker.com/love-and-theft/">Love and Theft</a></p>
<p><a href="http://gohaymaker.com/field-trip/">Field Trip!</a></p>
<p><a href="http://gohaymaker.com/road-trip/">Road Trip</a></p>
<p><a href="http://gohaymaker.com/america/">America!</a></p>
<p><a href="http://gohaymaker.com/living-with-the-whale/">Living with the Whale</a></p>
<p><a href="http://gohaymaker.com/humblebrag/">Humblebrag</a></p>
<p><code></div></code></p>
<h3>Excerpt</h3>
<p><code><span class="collapseomatic " id="id3843" rel="excerpt" title="See More">See More</span><span id="swap-id3843" style="display:none;">Close</span><div id="target-id3843" class="collapseomatic_content "></code></p>
<p><strong><em>Act 2, Scene 2 – Walmart</em></strong></p>
<p><em>EMILY and AKIVA put on Wal-Mart vests. </em></p>
<p>EMILY GREETER:  Welcome to Super-Wal-Mart. How are you today?</p>
<p>PAT (Dan):  I’m great! How are you?</p>
<p>EMILY GREETER:  Just fine sir.  Thank you for asking.  Is there something I can help you with?</p>
<p>PAT:  Uh, yea. Sure! I’m looking to buy a tiger…</p>
<p>EMILY GREETER:  Well, sir, I’d have to check, but…</p>
<p>AKIVA GREETER: I’m afraid we don’t sell tigers.</p>
<p>PAT: Shit.</p>
<p>AKIVA GREETER: But we do have a few other things you might need!</p>
<p>PAT: Yeah?</p>
<p>AKIVA GREETER: Most definitely. Will this tiger be a full-size tiger?</p>
<p>PAT: Most definitely.</p>
<p>AKIVA GREETER: Well, you’ll need to feed it lots of meat.</p>
<p>EMILY GREETER: And we have got a great meat department. That’s on aisle 4. Talk to Carlos, he’s our head butcher.</p>
<p>AKIVA GREETER: And you’ll need a freezer to store all that meat.</p>
<p>EMILY GREETER: Appliances are aisle 10.</p>
<p>PAT: Great.</p>
<p>EMILY GREETER: And may I ask where exactly you’ll be housing this tiger? Inside? Or outside?</p>
<p>PAT: Well, that’s a great question. I was thinking outside. Seems like a shame to keep it inside. So, I was thinking I’d build it a beautiful pen.</p>
<p>EMILY GREETER: Lovely. Well, I think you’ll find our garden supplies well suited to your needs. Lots of reinforced chicken wire and such.</p>
<p>PAT: And that’s?</p>
<p>AKIVA GREETER: Oh, I’m sorry, sir. You’ll just keep going right down this aisle here, 5, and then when you get about half way through you’ll see a large sign on your right. Can’t miss it.</p>
<p>EMILY GREETER: Speak with Ellen.</p>
<p>PAT: OooK. So aisle 4, and here and there. <em>Pat points to various sections of the “store” where he’d find appliances and the garden department. Pat starts to go.</em></p>
<p>EMILY GREETER:  Sir?</p>
<p>PAT: Yeah?</p>
<p>EMILY GREETER: Are you having this tiger delivered? Or are you picking it up?</p>
<p>PAT: I’m…uh…picking it up.</p>
<p>EMILY GREETER: Well, in that case you may want to think about rope on aisle 5, right here.</p>
<p>AKIVA GREETER: And tranq—</p>
<p>EMILY GREETER: —tranquilizer guns on aisle 22.</p>
<p>PAT:  That’s great! Great! America!</p>
<p>EMILY GREETER:  Yes sir, America! <em>Pat goes to leave.</em></p>
<p>AKIVA GREETER<em>: </em>“America is a land of wonders in which everything is in constant motion and every change seems an improvement.”</p>
<p>PAT: What’s that?</p>
<p>AKIVA GREETER: You seem like a fellow who takes his freedom seriously.</p>
<p>PAT: You’re damn right I am!</p>
<p>AKIVA GREETER: Well, then there’s a book you’re going to need too. <em>Democracy in America</em>, sir. I think it’d be right up your alley.</p>
<p>PAT: Alright. Well, I’ll check it out. Thank you.</p>
<p>AKIVA GREETER: No sir, thank you. That’s aisle…</p>
<p>EMILY GREETER: Aisle 16. <em>Democracy in America</em>. Go get ‘em.</p>
<p><em>Pat builds sculpture center stage with help of Walmart greeters while “Old Chunk of Coal&#8221; by Johnny Cash plays.</em></p>
<p><em>Pat sits down with a well-used Democracy in America to preach to the audience – as if they’re diner customers – about his new plan over coffee.</em></p>
<p>PAT: Can I ask you a question? What is the most alive you’ve ever felt?</p>
<p>Can I read you something? “America is a land of wonders in which everything is in constant motion and every change seems an improvement.”</p>
<p>You see all those people out there? Everybody zooming by in those damn cars. Look at ‘em. Look at that guy with his Humvee. Bet he feels feel bigger and stronger in that tank! And look at her…fancy car, fancy husband, and big ole ring. They all got that need for more. Keep gatherin’ and fillin. Not that I don’t or you don’t…all us Americans got that itch to keep on chasin’ down the next thing, money and power and land, but what we really need is…a way to fill that hole permanently.</p>
<p>Can I read you something? “The whole life of an American is passed like a game of chance, a revolutionary crisis, or a battle.” Is your life a game of chance, mister? A battle? A revolution? See, I think every American is made up like on a molecular level of a few things. We’ve got these elements in our lives, right – progress and status.  And those two elements get us to success. So, Progress – that’s stuff that makes our lives better.  Sytrofoam, Air Conditioning, Electric Fencing, Drive-Throughs. And Status, well, that’s like Bartender, Preacher, Republican, Mother, President. And the faster we achieve progress and status, the higher our level of success. That’s what we call an inverse proportion – right – the smaller the time, the higher the success.</p>
<p>You followin’ me here?  Great. So for us, in America, success has a direct correlation to happiness – now I reckon that for every level of success you achieve, your sense of happiness is exponentially greater – so let’s just say, that’s the square of that number.  So there you go – if we let progress equal P and status equal S, and time equal T, and success equal X &#8211; okay? And then happiness, H, equals X squared, so you put those all together and you’ve got, H equals the square of the sum of P plus S over T.</p>
<p>Now, when I lay this on you, you might say it’s selfish. But remember when you hear it: it’s not, it’s pure individualism! It’s democratic individualism! It’s what makes us great! Cause all greatness is attainable! We can be prophets! We can be visionaries! We can be bright stars in the firmament of the Union! And I know just how.</p>
<p>Can I share my plan with you? All right. Every last one of us Americans should own a TIGER.</p>
<p>T – I – G – E – R. Tiger.</p>
<p><em>He lets it hang.</em></p>
<p>PAT: It’s like…a new way to get better, you know? …tigers. Plain and simple. Big, beautiful, furry tigers. TIGER trumps all, TIGER is the infinity of progress.  TIGER is the infinity of status. And when you’ve got that tiger sittin’ on your living room sofa purrin’ as you stroke its majestic fur, then you’ve got that tiger NOW – time equals zero. So do the math: the square of infinity plus infinity over zero.  You can’t get bigger than that.  Look at me, I’m purrin’.  A new way to get better, people! It’s a way to love the land and be godly too. You see it? This here’s the thing that’ll fill up that tank, keep it on full forever. No more chasin’. And I’m gonna make it happen. I’m gonna start it, just gotta get <em>my</em> tiger first and then I’ll spread ‘em all over this land. You can count on that. And I’ll be back sooner than later. Me and my tiger.</p>
<p><code></div></code></p>
<h3>Texts</h3>
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<p>&#8220;<a href="http://www.time.com/time/magazine/article/0,9171,1005920,00.html" target="_blank">Never Trust A Tiger</a>&#8221; (<em>Time</em>, October 20, 2003)</p>
<p>&#8220;<a href="http://www.newsweek.com/2010/07/27/the-american-tiger.html " target="_blank">The Trouble With Tigers</a>&#8221; (Newsweek, July 28, 2010)</p>
<p><a href="http://animal.discovery.com/tv/fatal-attractions/antoine-yates-interview.html " target="_blank"> Antoine Yates Interview: A Discussion with the Man Who Kept a Tiger in His Apartment</a></p>
<p><a href="http://bigcatnews.blogspot.com/2009/01/apologetic-tiger-owner-touts-new-cage.html " target="_blank">Apologetic tiger owner touts new cage</a> (<em>Express-News</em>, January 28, 2009)</p>
<h4>Joseph Conrad, <em>Heart of Darkness</em>:</h4>
<p>“Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off for ever from everything you had known once—somewhere—far away—in another existence perhaps. There were moments when one&#8217;s past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.”</p>
<p>“Trees, trees, millions of trees, massive, immense, running up high; and at their foot, hugging the bank against the stream, crept the little begrimed steamboat, like a sluggish beetle crawling on the floor of a lofty portico. It made you feel very small, very lost, and yet it was not altogether depressing, that feeling. After all, if you were small, the grimy beetle crawled on—which was just what you wanted it to do. Where the pilgrims imagined it crawled to I don&#8217;t know. To some place where they expected to get something, I bet! For me it crawled toward Kurtz—exclusively; but when the steam-pipes started leaking we crawled very slow. The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the woodcutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet.”</p>
<p>“I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamor, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be. I was within a hair&#8217;s-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness. He had summed up—he had judged. &#8216;The horror!&#8217; He was a remarkable man. After all, this was the expression of some sort of belief; it had candor, it had conviction, it had a vibrating note of revolt in its whisper, it had the appalling face of a glimpsed truth—the strange commingling of desire and hate. And it is not my own extremity I remember best—a vision of grayness without form filled with physical pain, and a careless contempt for the evanescence of all things—even of this pain itself. No! It is his extremity that I seem to have lived through. True, he had made that last stride, he had stepped over the edge, while I had been permitted to draw back my hesitating foot. And perhaps in this is the whole difference; perhaps all the wisdom, and all truth, and all sincerity, are just compressed into that inappreciable moment of time in which we step over the threshold of the invisible. Perhaps! I like to think my summing-up would not have been a word of careless contempt. Better his cry—much better. It was an affirmation, a moral victory paid for by innumerable defeats, by abominable terrors, by abominable satisfactions. But it was a victory! That is why I have remained loyal to Kurtz to the last, and even beyond, when a long time after I heard once more, not his own voice, but the echo of his magnificent eloquence thrown to me from a soul as translucently pure as a cliff of crystal.”</p>
<h4>Alexis de Tocqueville, <em>Democracy in America</em>:</h4>
<p>“The inhabitants of the United States are never fettered by the axioms of their profession; they escape from all the prejudices of their present station; they are not more attached to one line of operation than to another; they are not more prone to employ an old method than a new one; they have no rooted habits, and they easily shake off the influence that the habits of other nations might exercise upon them, from a conviction that their country is unlike any other and that its situation is without a precedent in the world. America is a land of wonders, in which everything is in constant motion and every change seems an improvement. The idea of novelty is there indissolubly connected with the idea of amelioration. No natural boundary seems to be set to the efforts of man; and in his eyes what is not yet done is only what he has not yet attempted to do.</p>
<p>This perpetual change which goes on in the United States, these frequent vicissitudes of fortune, these unforeseen fluctuations in private and public wealth, serve to keep the minds of the people in a perpetual feverish agitation, which admirably invigorates their exertions and keeps them, so to speak, above the ordinary level of humanity. The whole life of an American is passed like a game of chance, a revolutionary crisis, or a battle. As the same causes are continually in operation throughout the country, they ultimately impart an irresistible impulse to the national character. The American, taken as a chance specimen of his countrymen, must then be a man of singular warmth in his desires, enterprising, fond of adventure and, above all, of novelty.”</p>
<p>“Selfishness is a passionate and exaggerated love of self, which leads a man to connect everything with himself and to prefer himself to everything in the world. Individualism is a mature and calm feeling, which disposes each member of the community to sever himself from the mass of his fellows and to draw apart with his family and his friends, so that after he has thus formed a little circle of his own, he willingly leaves society at large to itself. Selfishness originates in blind instinct; individualism proceeds from erroneous judgment more than from depraved feelings; it originates as much in deficiencies of mind as in perversity of heart.</p>
<p>Selfishness blights the germ of all virtue; individualism, at first, only saps the virtues of public life; but in the long run it attacks and destroys all others and is at length absorbed in downright selfishness. Selfishness is a vice as old as the world, which does not belong to one form of society more than to another; individualism is of democratic origin, and it threatens to spread in the same ratio as the equality of condition.</p>
<p>Among aristocratic nations, as families remain for centuries in the same condition, often on the same spot, all generations become, as it were, contemporaneous. A man almost always knows his forefathers and respects them; he thinks he already sees his remote descendants and he loves them. He willingly imposes duties on himself towards the former and the latter, and he will frequently sacrifice his personal gratifications to those who went before and to those who will come after him. Aristocratic institutions, moreover, have the effect of closely binding every man to several of his fellow citizens. As the classes of an aristocratic people are strongly marked and permanent, each of them is regarded by its own members as a sort of lesser country, more tangible and more cherished than the country at large. As in aristocratic communities all the citizens occupy fixed positions, one above another, the result is that each of them always sees a man above himself whose patronage is necessary to him, and below himself another man whose co-operation he may claim. Men living in aristocratic ages are therefore almost always closely attached to something placed out of their own sphere, and they are often disposed to forget themselves. It is true that in these ages the notion of human fellowship is faint and that men seldom think of sacrificing themselves for mankind; but they often sacrifice themselves for other men. In democratic times, on the contrary, when the duties of each individual to the race are much more clear, devoted service to any one man becomes more rare; the bond of human affection is extended, but it is relaxed.</p>
<p>Among democratic nations new families are constantly springing up, others are constantly falling away, and all that remain change their condition; the woof of time is every instant broken and the track of generations effaced. Those who went before are soon forgotten; of those who will come after, no one has any idea: the interest of man is confined to those in close propinquity to himself. As each class gradually approaches others and mingles with them, its members become undifferentiated and lose their class identity for each other. Aristocracy had made a chain of all the members of the community, from the peasant to the king; democracy breaks that chain and severs every link of it.</p>
<p>As social conditions become more equal, the number of persons increases who, although they are neither rich nor powerful enough to exercise any great influence over their fellows, have nevertheless acquired or retained sufficient education and fortune to satisfy their own wants. They owe nothing to any man, they expect nothing from any man; they acquire the habit of always considering themselves as standing alone, and they are apt to imagine that their whole destiny is in their own hands.</p>
<p>Thus not only does democracy make every man forget his ancestors, but it hides his descendants and separates his contemporaries from him; it throws him back forever upon himself alone and threatens in the end to confine him entirely within the solitude of his own heart.”</p>
<p>“The taste for physical gratifications leads a democratic people into no such excesses. The love of well-being is there displayed as a tenacious, exclusive, universal passion, but its range is confined. To build enormous palaces, to conquer or to mimic nature, to ransack the world in order to gratify the passions of a man, is not thought of, but to add a few yards of land to your field, to plant an orchard, to enlarge a dwelling, to be always making life more comfortable and convenient, to avoid trouble, and to satisfy the smallest wants without effort and almost without cost. These are small objects, but the soul clings to them; it dwells upon them closely and day by day, till they at last shut out the rest of the world and sometimes intervene between itself and heaven.”</p>
<p>“In America I saw the freest and most enlightened men placed in the happiest circumstances that the world affords, it seemed to me as if a cloud habitually hung upon their brow, and I thought them serious and almost sad, even in their pleasures.</p>
<p>The chief reason for this contrast is that the former do not think of the ills they endure, while the latter are forever brooding over advantages they do not possess. It is strange to see with what feverish ardor the Americans pursue their own welfare, and to watch the vague dread that constantly torments them lest they should not have chosen the shortest path which may lead to it.</p>
<p>A native of the United States clings to this world&#8217;s goods as if he were certain never to die; and he is so hasty in grasping at all within his reach that one would suppose he was constantly afraid of not living long enough to enjoy them. He clutches everything, he holds nothing fast, but soon loosens his grasp to pursue fresh gratifications.</p>
<p>In the United States a man builds a house in which to spend his old age, and he sells it before the roof is on; he plants a garden and lets it just as the trees are coming into bearing; he brings a field into tillage and leaves other men to gather the crops; he embraces a profession and gives it up; he settles in a place, which he soon afterwards leaves to carry his changeable longings elsewhere. If his private affairs leave him any leisure, he instantly plunges into the vortex of politics; and if at the end of a year of unremitting labor he finds he has a few days&#8217; vacation, his eager curiosity whirls him over the vast extent of the United States, and he will travel fifteen hundred miles in a few days to shake off his happiness. Death at length overtakes him, but it is before he is weary of his bootless chase of that complete felicity which forever escapes him.</p>
<p>At first sight there is something surprising in this strange unrest of so many happy men, restless in the midst of abundance. The spectacle itself, however, is as old as the world; the novelty is to see a whole people furnish an exemplification of it.</p>
<p>Their taste for physical gratifications must be regarded as the original source of that secret disquietude which the actions of the Americans betray and of that inconstancy of which they daily ford fresh examples. He who has set his heart exclusively upon the pursuit of worldly welfare is always in a hurry, for he has but a limited time at his disposal to reach, to grasp, and to enjoy it.</p>
<p>The recollection of the shortness of life is a constant spur to him. Besides the good things that he possesses, he every instant fancies a thousand others that death will prevent him from trying if he does not try them soon. This thought fills him with anxiety, fear, and regret and keeps his mind in ceaseless trepidation, which leads him perpetually to change his plans and his abode.”</p>
<p>“I am next led to inquire how it is that these same democratic nations which are so serious sometimes act in so inconsiderate a manner. The Americans, who almost always preserve a staid demeanor and a frigid air, nevertheless frequently allow themselves to be borne away, far beyond the bounds of reason, by a sudden passion or a hasty opinion and sometimes gravely commit strange absurdities.</p>
<p>This contrast ought not to surprise us. There is one sort of ignorance which originates in extreme publicity. In despotic states men do not know how to act because they are told nothing; in democratic nations they often act at random because nothing is to be left untold. The former do not know, the latter forget; and the chief features of each picture are lost to them in a bewilder- ment of details.”</p>
<h4>Herman Melville, <em>Moby-Dick</em>:</h4>
<p>“Reality outran apprehension; Captain Ahab stood upon his quarter-deck.</p>
<p>There seemed no sign of common bodily illness about him, nor of the recovery from any. He looked like a man cut away from the stake, when the fire has overrunningly wasted all the limbs without consuming them, or taking away one particle from their compacted aged robustness. His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini&#8217;s cast Perseus. Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod-like mark, lividly whitish. It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it, and without wrenching a single twig, peels and grooves out the bark from top to bottom, ere running off into the soil, leaving the tree still greenly alive, but branded. Whether that mark was born with him, or whether it was the scar left by some desperate wound, no one could certainly say. By some tacit consent, throughout the voyage little or no allusion was made to it, especially by the mates. But once Tashtego&#8217;s senior, an old Gay-Head Indian among the crew, superstitiously asserted that not till he was full forty years old did Ahab become that way branded, and then it came upon him, not in the fury of any mortal fray, but in an elemental strife at sea. Yet, this wild hint seemed inferentially negatived, by what a grey Manxman insinuated, an old sepulchral man, who, having never before sailed out of Nantucket, had never ere this laid eye upon wild Ahab. Nevertheless, the old sea-traditions, the immemorial credulities, popularly invested this old Manxman with preternatural powers of discernment. So that no white sailor seriously contradicted him when he said that if ever Captain Ahab should be tranquilly laid out—which might hardly come to pass, so he muttered—then, whoever should do that last office for the dead, would find a birth-mark on him from crown to sole.”</p>
<p>&#8220;Captain Ahab,&#8221; said Starbuck, who, with Stubb and Flask, had thus far been eyeing his superior with increasing surprise, but at last seemed struck with a thought which somewhat explained all the wonder. &#8220;Captain Ahab, I have heard of Moby Dick—but it was not Moby Dick that took off thy leg?&#8221;</p>
<p>&#8220;Who told thee that?&#8221; cried Ahab; then pausing, &#8220;Aye, Starbuck; aye, my hearties all round; it was Moby Dick that dismasted me; Moby Dick that brought me to this dead stump I stand on now. Aye, aye,&#8221; he shouted with a terrific, loud, animal sob, like that of a heart-stricken moose; &#8220;Aye, aye! it was that accursed white whale that razeed me; made a poor pegging lubber of me for ever and a day!&#8221; Then tossing both arms, with measureless imprecations he shouted out: &#8220;Aye, aye! and I&#8217;ll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition&#8217;s flames before I give him up. And this is what ye have shipped for, men! to chase that white whale on both sides of land, and over all sides of earth, till he spouts black blood and rolls fin out. What say ye, men, will ye splice hands on it, now? I think ye do look brave.&#8221;</p>
<p>&#8220;Aye, aye!&#8221; shouted the harpooneers and seamen, running closer to the excited old man: &#8220;A sharp eye for the white whale; a sharp lance for Moby Dick!&#8221;</p>
<p>&#8220;God bless ye,&#8221; he seemed to half sob and half shout. &#8220;God bless ye, men. Steward! go draw the great measure of grog. But what&#8217;s this long face about, Mr. Starbuck; wilt thou not chase the white whale? art not game for Moby Dick?&#8221;</p>
<p>&#8220;I am game for his crooked jaw, and for the jaws of Death too, Captain Ahab, if it fairly comes in the way of the business we follow; but I came here to hunt whales, not my commander&#8217;s vengeance. How many barrels will thy vengeance yield thee even if thou gettest it, Captain Ahab? it will not fetch thee much in our Nantucket market.&#8221;</p>
<p>&#8220;Nantucket market! Hoot! But come closer, Starbuck; thou requirest a little lower layer. If money&#8217;s to be the measurer, man, and the accountants have computed their great counting-house the globe, by girdling it with guineas, one to every three parts of an inch; then, let me tell thee, that my vengeance will fetch a great premium HERE!&#8221;</p>
<p>&#8220;He smites his chest,&#8221; whispered Stubb, &#8220;what&#8217;s that for? methinks it rings most vast, but hollow.&#8221;</p>
<p>&#8220;Vengeance on a dumb brute!&#8221; cried Starbuck, &#8220;that simply smote thee from blindest instinct! Madness! To be enraged with a dumb thing, Captain Ahab, seems blasphemous.&#8221;</p>
<p>&#8220;Hark ye yet again—the little lower layer. All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there&#8217;s naught beyond. But &#8217;tis enough. He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man; I&#8217;d strike the sun if it insulted me. For could the sun do that, then could I do the other; since there is ever a sort of fair play herein, jealousy presiding over all creations. But not my master, man, is even that fair play. Who&#8217;s over me? Truth hath no confines. Take off thine eye! more intolerable than fiends&#8217; glarings is a doltish stare! So, so; thou reddenest and palest; my heat has melted thee to anger-glow. But look ye, Starbuck, what is said in heat, that thing unsays itself. There are men from whom warm words are small indignity. I meant not to incense thee. Let it go. Look! see yonder Turkish cheeks of spotted tawn—living, breathing pictures painted by the sun. The Pagan leopards—the unrecking and unworshipping things, that live; and seek, and give no reasons for the torrid life they feel! The crew, man, the crew! Are they not one and all with Ahab, in this matter of the whale? See Stubb! he laughs! See yonder Chilian! he snorts to think of it. Stand up amid the general hurricane, thy one tost sapling cannot, Starbuck! And what is it? Reckon it. &#8216;Tis but to help strike a fin; no wondrous feat for Starbuck. What is it more? From this one poor hunt, then, the best lance out of all Nantucket, surely he will not hang back, when every foremast-hand has clutched a whetstone? Ah! constrainings seize thee; I see! the billow lifts thee! Speak, but speak!—Aye, aye! thy silence, then, THAT voices thee. (ASIDE) Something shot from my dilated nostrils, he has inhaled it in his lungs. Starbuck now is mine; cannot oppose me now, without rebellion.&#8221;</p>
<p>&#8220;God keep me!—keep us all!&#8221; murmured Starbuck, lowly.</p>
<p>But in his joy at the enchanted, tacit acquiescence of the mate, Ahab did not hear his foreboding invocation; nor yet the low laugh from the hold; nor yet the presaging vibrations of the winds in the cordage; nor yet the hollow flap of the sails against the masts, as for a moment their hearts sank in. For again Starbuck&#8217;s downcast eyes lighted up with the stubbornness of life; the subterranean laugh died away; the winds blew on; the sails filled out; the ship heaved and rolled as before. Ah, ye admonitions and warnings! why stay ye not when ye come? But rather are ye predictions than warnings, ye shadows! Yet not so much predictions from without, as verifications of the foregoing things within. For with little external to constrain us, the innermost necessities in our being, these still drive us on.”</p>
<p><code></div></code></p>
<h3>Multimedia</h3>
<p><code><span class="collapseomatic " id="id4244" rel="media" title="See More">See More</span><span id="swap-id4244" style="display:none;">Close</span><div id="target-id4244" class="collapseomatic_content "></code></p>
<p><a href="http://www.flickr.com/photos/eilla/sets/72157628087717367/">Check out pictures from the show!</a></p>
<p><a href="http://animal.discovery.com/videos/fatal-attractions-big-cat-videos/" target="_blank">Animal Planet’s Fatal Attraction: Big Cat Playlist</a></p>
<p><a href="http://www.youtube.com/watch?v=kGEv5dC0lo4" target="_blank">Chris Rock “Tiger Gone Crazy” Sketch</a></p>
<p><a href="http://www.npr.org/templates/story/story.php?storyId=129551459" target="_blank">NPR Interview with John Vaillant author of The Tiger, A True Story of Vengeance and Survival</a></p>
<p><code></div></code></p>
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		<title>Tigers vs. Mr. T, a Haymaker good time</title>
		<link>http://gohaymaker.com/tigers-vs-mr-t/</link>
		<comments>http://gohaymaker.com/tigers-vs-mr-t/#comments</comments>
		<pubDate>Fri, 17 Jun 2011 17:57:33 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Events & Productions]]></category>
		<category><![CDATA[Past Productions]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/wordpress/?p=85</guid>
		<description><![CDATA[With $3 Fullsteam beers in hand and Mr. T-inspired gold chains around your necks, you and friends mix and mingle at a goofy happy hour. “Tigers vs. Mr. T” will finally answer the age-old question of whether the 1980s cult star could best nature’s most fearsome predator in a cage match.

<strong>When:</strong> June 17, 2011
<strong>Where:</strong> The Pinhook, Durham, NC]]></description>
			<content:encoded><![CDATA[<p><strong>When:</strong> June 17, 2011<br />
<strong>Where:</strong> The Pinhook, Durham, NC<span id="more-85"></span></p>
<h3><img class="alignnone size-full wp-image-121" title="Tigers v Mr. T Poster" src="http://gohaymaker.com/wordpress/wp-content/uploads/2011/06/JuneEventPosterMED.jpg" alt="Tigers v Mr. T Poster" width="655" height="1012" /></h3>
<h3>About</h3>
<p><code><span class="collapseomatic  colomat-close" id="id1223" rel="about" title="Close">Close</span><span id="swap-id1223" style="display:none;">See More</span><div id="target-id1223" class="collapseomatic_content "></code></p>
<p>With a $3 Fullsteam in hand and Mr. T-inspired gold chains around your neck you and friends mix and mingle at a goofy happy hour. You have your picture taken with a tiger. You expertly color a page of an original Tiger vs. Mr. T coloring book. You eat some free candy and debate with your friends over who would win in the battle royale: the tiger or Mr. T. And you find out who those crazy kids at Haymaker really are…and what they heck they’re up to next.</p>
<p><code></div></code></p>
<h3>Texts</h3>
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<p>“Tigers vs. Mr. T” will finally answer the age-old question of whether the 1980s cult star could best nature’s most fearsome predator in a cage match. On Third Friday in June, drop by and have a cheap Fullsteam brew, make some art with Durty Durham and get your picture taken with a tiger at The Pinhook.</p>
<p>Haymaker, Durham’s newest performance team, is to blame for all this tomfoolery. But, we&#8217;re doing it all to meet you. So, please come out, have a good time with art and tigers, and say Howdy!</p>
<p>Special thanks to Bull City Forward, Durty Durham, Fullsteam, Manbites Dog Theater, and The Pinhook.</p>
<p><code></div></code></p>
<h3>Multimedia</h3>
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<p>Download an original Tigers vs. Mr. T coloring book [<a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/06/Coloring-Book.pdf" target="_blank">PDF - 6MB</a>]</p>
<p>Download the Event Poster [<a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/06/JuneEventPosterMED.jpg" target="_blank">JPEG</a>]</p>
<p><a href="http://www.youtube.com/playlist?p=PLBEED4950C499B449" target="_blank">Check out our YouTube playlist of inspiring images of Tigers and Mr. T!</a><br />
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		<title>a wake</title>
		<link>http://gohaymaker.com/a-wake/</link>
		<comments>http://gohaymaker.com/a-wake/#comments</comments>
		<pubDate>Fri, 01 Oct 2010 18:07:31 +0000</pubDate>
		<dc:creator>Haymaker</dc:creator>
				<category><![CDATA[Events & Productions]]></category>
		<category><![CDATA[Past Productions]]></category>

		<guid isPermaLink="false">http://gohaymaker.com/wordpress/?p=92</guid>
		<description><![CDATA[Your presence is requested at a wake. In lieu of flowers, you bring your favorite dish to share. You are met with a mournful and joyous Irish wake where the guest of honor is the deceased. She joins you for the service, takes communion with you, and paces a bare room in search of lost opportunities. As she slips away into the afterlife, you are greeted with the dinner that you and your fellow guests have provided. You eat, drink, and enjoy the company of this intimate community of guests. And when you leave, you get a gift.

<strong>When:</strong> October 22 – 25, 2010
<strong>Where:</strong> Capitol Hill Townhouse: 1315 G Street SE, Washington, DC]]></description>
			<content:encoded><![CDATA[<p><strong>When:</strong> October 22 – 25, 2010<br />
<strong>Where:</strong> Capitol Hill Townhouse: 1315 G Street SE, Washington, DC<span id="more-92"></span></p>
<h3><img class="alignnone size-full wp-image-118" title="a_wake" src="http://gohaymaker.com/wordpress/wp-content/uploads/2010/10/a_wake.jpg" alt="a wake" width="655" height="984" /></h3>
<h3>About</h3>
<p><code><span class="collapseomatic  colomat-close" id="id5563" rel="about" title="Close">Close</span><span id="swap-id5563" style="display:none;">See More</span><div id="target-id5563" class="collapseomatic_content "></code></p>
<p>“Will you never have done revolving it all?” &#8211; Footfalls, Samuel Beckett</p>
<p>Your presence is requested at a wake. In lieu of flowers, you bring your favorite dish to share. You are met with a mournful and joyous Irish wake where the guest of honor is the deceased. She joins you for the service, takes communion with you, and paces a bare room in search of lost opportunities. As she slips away into the afterlife, you are greeted with the dinner that you and your fellow guests have provided. You eat, drink, and enjoy the company of this intimate community of guests. And when you leave, you get a gift.</p>
<p><code></div></code></p>
<h3>Texts</h3>
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<h4>Definitions</h4>
<p>(a list of terms that may help you)</p>
<p>Drawsheet – A narrow sheet used chiefly in hospitals and stretched across the bed lengthwise often over a rubber sheet underneath the patient’s trunk.</p>
<p>Semblance – a mere show without reality; A likeness or resemblance.</p>
<p>Vespers – The sixth of the seven canonical hours; A service of worship in the evening.</p>
<p>Evensong – the Anglican liturgy of Evening Prayer, especially so called when it is sung.</p>
<p>Candelabrum – A large, branched candlestick.</p>
<p>Homily – A sermon, especially one intended to edify a congregation on a practical matter and not intended to be a theological discourse.</p>
<p>Repast – A gathering after a funeral typically involving a meal.</p>
<p>…</p>
<p>To see a World in a grain of Sand<br />
And a Heaven in a Wild flower<br />
Hold Infinity in the palm of your hand<br />
And Eternity in an hour</p>
<p>…</p>
<p>please turn off your cell phones or any<br />
other electronic devices the performance<br />
has already started.</p>
<p>…</p>
<p>you are made of seconds, minutes, hours,<br />
days, years – moments – all of which are<br />
important.</p>
<p>…</p>
<p>A Robin Red breast in a Cage<br />
Puts all Heaven in a Rage</p>
<p>…</p>
<p>no one has died…</p>
<p>…</p>
<p>your condolences are appreciated.</p>
<p>&nbsp;</p>
<h4>Eulogy</h4>
<p><em>Chime</em></p>
<p>Eulogy</p>
<p>Friends, it is here, the formal beginning of the long bereavement where we begin to possess a strange new acuity. Thank you for coming.</p>
<p>We are things we may not want to be. Thieves. Lechers. Cowards. But, here, tonight… leave it. Travel until the sun has set and you have grown weary and must find a place to rest. Take shelter in the shadow of a rock, and after a time fall asleep resting your head on a random stone. And in sleep, dream. And in dreaming see a vision: a ladder set up on the earth, and reaching to Heaven and the angels of God ascending and descending on it! And the Lord will stand beside you and say, &#8220;I am the God of your fathers; the land on which you lie I will give to you. I am with you and will keep you wherever you go.&#8221; And you would then wake and be afraid, and say, &#8220;God is in this place? I did not know it.&#8221;</p>
<p><em>Chime</em></p>
<p>Now there is one thing I can tell you: you will enjoy certain pleasures you would not fathom until now.</p>
<p>The instant you gasped and the man caught your eye; daydreaming about a life you could have with a stranger; the escalator stopping– the shudder step, momentary loss of balance, everyone’s recovery, and then the shared realization of being surrounded by each other; finding a dried flower in a book; a song that’s been running through your head: was that stranger whistling it? Were you? Without knowing?; a streetlamp going on over your head; eating out at a restaurant alone; running – really running – to catch a bus, and the bus driver laughing when you board; getting to push the buttons; the shrieking and chattering of a hidden flock of birds; falling asleep to the relentless white noise from ocean waves; cerulean: your favorite crayon color, the color of the beginning of night; a butterfly careening into your face; sparrows bathing in a dirt patch; itchy grass; the hot wind of summer; a surprise visit; a kiss goodbye; church bells; FIREWORKS</p>
<p><em>Chime.</em></p>
<p>Now you will often think of days past. And it will exhaust you to soak in all the tatters that now have vanished. Never to be had again. Your belly will be full and heavy with this depression. Just when you are used to this horrible thing that it will forever be cast into the past, then you will gently feel it revive, returning to take its place, its entire place, beside you. At the present time, this is not yet possible. Let yourself be inert, wait till the incomprehensible power…that has broken you restores you a little, I say a little, for henceforth you will always keep something broken about you. Tell yourself this, too, for it is a kind of pleasure to know  that you will never love less now, that you will never be consoled, that you will constantly remember more and more.</p>
<p><em>Chime</em></p>
<p>yes.</p>
<p>We are gathered to pay respect to what has happened; the obvious occurrences around you.</p>
<p>yes.</p>
<p>The lights in the metro seem so much brighter today.</p>
<p>yes.</p>
<p>need more interactions.</p>
<p>yes.</p>
<p>the tidbits.</p>
<p>yes.</p>
<p>the random stone.</p>
<p>yes.</p>
<p>at first, inconsequential, and later &#8211; at nightfall perhaps – this collection, this mess becomes the scaffold of the whole.</p>
<p>yes.</p>
<p>it all, if you will.</p>
<p>yes.</p>
<p><em>Chime </em></p>
<p><code></div></code></p>
<h3>Multimedia</h3>
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<p><a href="http://www.youtube.com/watch?v=X-g_4yVxnQY" target="_blank">Hear the hymn sung during a wake</a></p>
<p>Download the prayer card [<a href="http://gohaymaker.com/wordpress/wp-content/uploads/2011/08/prayer-card.pdf" target="_blank">PDF</a>]</p>
<p><code></div></code></p>
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